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Symphonie Nr. 29 : A-dur - A major - la majeur / KV 201 (186 a)

Œuvres liées : Symphonie n° 29
Contenu : Sets de vents / percussion Complet ; 5 violons I ; 5 violons II ; 4 altos ; 3 violoncelles ; 2 contrebasses
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Sinfonie in C "Nr. 28", KV 200 (173)

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Symphonie Do majeur, KV 200(173)

Contenu : 5 violons I ; 5 violons II ; 4 altos ; 3 violoncelles ; 2 contrebasses
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Sinfonie in A "Nr. 29" KV 201 (186a)

Œuvres liées : Symphonie n° 29
Productions liées : 2022/23 - Mozart à trois chefs
Note générale : ÉDITION UTILISÉE LORS DE LA PRODUCTION
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Mozart à trois chef

Productions liées : 2022/23 - Mozart à trois chefs
Note générale : Dossier préparatoire à la production O59 "Mozart à trois chefs" - La trilogie Salzbourgeoise
Note de contenu : - Documentation préparatoire: essais et études sur Mozart et sa production symphonique - Correspondance mail et échanges (LE, Florence Badol-Bertrand, Yann Breton, Josquin Macarez) - Synthèses musicologiques Yann Breton et Nathan Magrecki, texte de "Starting-block" du 22/06/23
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Sonatas for Pianoforte and Violin

Note générale : “THE SPRINGING BOWSTROKE IN BEETHOVEN’S VIENNA: IMPORTANT NEW EVIDENCE” - Performing practice commentary
Note de contenu : First edition with complete Critical Commentary and description of sources - With information on the genesis, Beethoven’s notation, metronome markings, and with the ground-breaking Performing Practice Commentary (online resource) - With two solo violin parts (Urtext and historically annotated)
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Performing Baroque Music

Productions liées : 2019/20 - Musikverein
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Performance practice : a dictionary-guide for musicians

Note de contenu : Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind dictionary offers entries on composers, musicians/performers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a road map for advanced scholarship in the field
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